Lars Just

I’m an award winning photojournalist and a nice guy to work with

I rock at documentary photography and can do kick-ass portraits as well

I shoot everywhere in Denmark and internationally

 

Let’s do a project together!

Contact

E-mail: photosbyjust@gmail.com
Phone: +45 21 80 00 08

All content ©Lars Just

Credit
Design and development
By Mount
Selected clients

Financial Times, Der Spiegel, Politiken, Novo Nordisk, Microsoft, MAERSK, Novozymes, Carlsberg, Nordea, Red Cross, SOS Children’s Villages, Danske Bank, GN Store Nord, Ørsted, Arkitema Architects, Die Welt, SYBO, Lundbeckfonden, Jack Morton, ELLE Magazine, Wired Magazine, VICE Magazine, MTV, Samsung, Haldor Topsøe, Schouw & Co, COWI, Dansk Erhverv, Berlingske Tidende, Information, Die Zeit, Ud&Se, Foresight Magazine, Format Agency, Monkfish, Docker, Mini Cooper, Marco Polo, The Dalai Lama Foundation, The State Department and more.

Awards and honors

2017

Pictures of The Year International, Feature, Award of Excellence

2016

Nominated at MDID, Danish Magazine Designers

2016

PDN Photo Annual – Photojournalism, Documentary

2015

Nominated for Kravlingprisen

2014

CPOY, Portfolio, Award of Excellence

2014

CPOY, Documentary, Silver

2014

Nominated for Kravlingprisen

2013

The Society for News Design, Special News Topics, Award of Excellence

2013

CPOY, Portrait, Award of Excellence

Exhibitions

2016

Copenhagen Photo Festival, Solo Exhibition, Voices from The Cold

2015

STATUS:15, Museumsbygningen, Voices from The Cold

2014

Photographic Museum of Humanity, Danish Photography, Unspoken Legacy

2014

DIGNITY Day, Rådhuspladsen

2014

Faces of Polio, PTU

2012

Danish Press Photo of the Year

2012

Copenhagen Photo Exhibition Forum

2012

11 Fotografier, 11 Fotografer, 11 Oplevelser – Politikens Hus

2012

Copenhagen Photo Festival 2012, Politikens Fotografer Præsenterer

 

 

 

 

 

 

Orange Crush was made as a gift to the more than 1500 volunteers working together to create Roskilde Festival – Northern Europes largest music festival.

 

Through interviews with volunteers, the narrative was build around eight, handwritten eye-witness accounts focusing on singing, voluntariness, love, drunkenness, dance, music, weather and longing.

 

The photographs in the book was curated from the festivals archive, containing more than 100.000 images from 1971 to present.

 

Idea and text by me

Art Direction by Trine Natskår